Harvey Mandel

Mandel was born in Detroit, Michigan but grew up in Morton Grove, Illinois, a suburb of Chicago.

His first record was the album Stand Back! Here Comes Charley Musselwhite’s Southside Band in 1966 with Charlie Musselwhite. Described in 1997’s Legends of Rock Guitar as a «legendary» album, it was influential in bridging the gap between blues and rock and roll, with Mandel’s «relentless fuzztone, feedback-edged solos, and unusual syncopated phrasing.»[3] He relocated to the San Francisco Bay Area, performing often at a club called The Matrix, where local favorites like Jerry Garcia or Elvin Bishop would sit in and jam. He then met up with pioneering San Francisco disc jockey and producer Abe ‘Voco’ Kesh (Abe Keshishian), who signed Mandel to Philips Records and produced his first solo album, Cristo Redentor in 1968. In retrospect, Cristo Redentor bears some resemblance to cuts and songs that were on Wes Montgomery’s albums. Mandel recorded with Barry Goldberg on a bootleg from Cherry Records and recorded with Graham Bond. He cut two more solo LPs for Philips, Righteous (1969) and Games Guitars Play (1970), followed by three more solo albums for independent label Janus in the early ’70s which include Baby Batter.

On the night that Henry Vestine quit Canned Heat, Mandel was in their dressing room at the Fillmore West. Mike Bloomfield joined them for the first set, and Mandel came in for the second set. His third performance with the band was the Woodstock Festival in 1969. During this same period, with Canned Heat bandmates Larry Taylor and Fito de la Parra, Mandel contributed to the «Music From Free Creek super session project.» Mandel stayed with Canned Heat for a year, touring and recording material which appeared on three albums. Let’s Work Together, a song by Wilbert Harrison which was included in the album Future Blues which became an international hit. He is also on the Live in Europe album prior to Alan Wilson’s death.

With Canned Heat bassist Larry Taylor, Mandel joined John Mayall’s band for the next two years. He is heard playing on the two albums of that period USA Union and Back to the Roots. In 1972, he teamed up with Don «Sugarcane» Harris (who had played violin for Mayall), Randy Resnick on guitar, Victor Conte on bass, and Paul Lagos on drums (who also played with Howard Wales, famous for a Wales and Garcia album) and formed the band Pure Food and Drug Act, which released one album, Choice Cuts.

When The Rolling Stones guitarist Mick Taylor (also a former Mayall sideman) left the band, Harvey Mandel was auditioned as his replacement and he recorded two tracks with the Stones for their 1976 album Black and Blue, «Hot Stuff» and «Memory Motel». During the 1970s Mandel released the albums Baby Batter, The Snake and Shangrenade, in the latter employing the technique of two-handed tapping. He has also released an instructional video titled Harvey Mandel: Blues Guitar & Beyond.

Mandel’s nickname, «The Snake,» was given to him by keyboardist Barry Goldberg and referred to his cracked leather jacket. Mandel acted in the film Chalk, directed by Rob Nilsson, and contributed some original music.[who?] Mandel has two daughters, Camille and Lola who currently live in France. In 2007, Mandel and Larry Taylor reunited with Fito de la Parra and the rest of the current Canned Heat line-up to perform certain shows on the Canned Heat tour. Larry Taylor, Mandel and de la Parra were all part of the original 1969 Woodstock Festival line-up including the Woodstock Boogie now available on DVD.[citation needed]