"Strange Fruit" is a song performed most famously by Billie Holiday, who released her first recording of it in 1939, the year she first sang it. Written by the teacher Abel Meeropol as a poem, it exposed American racism, particularly the lynching of African Americans. Such lynchings had occurred chiefly in the South but also in all other regions of the United States. The writer, Abel, set it to music and with his wife and the singer Laura Duncan, performed it as a protest song in New York venues, including Madison Square Garden. The song has been covered by numerous artists, as well as inspiring novels, other poems and other creative works. In 1978 Holiday's version of the song was inducted into the Grammy Hall of Fame. It was also included in the list of Songs of the Century, by the Recording Industry of America and the National Endowment for the Arts. Author "Strange Fruit" was a poem written by Abel Meeropol, a Jewish high-school teacher from the Bronx, a protest against lynchings. He sometimes published under the pen name Lewis Allan, after two sons who were stillborn. In the poem, Meeropol expressed his horror at lynchings. He had seen Lawrence Beitler's photograph of the 1930 lynching of Thomas Shipp and Abram Smith in Marion, Indiana. He published the poem in 1936 in The New York Teacher, a union magazine. Though Meeropol/Allan had often asked others (notably Earl Robinson) to set his poems to music, he set "Strange Fruit" to music himself. The piece gained a certain success as a protest song in and around New York. Meeropol, his wife, and black vocalist Laura Duncan performed it at Madison Square Garden. Barney Josephson, the founder of Cafe Society in Greenwich Village, New York's first integrated nightclub, heard the song and introduced it to Billie Holiday. Other reports say that Robert Gordon, who was directing Billie Holiday's show at Cafe Society, heard the song at Madison Square Garden and introduced it to her. Holiday first performed the song at Cafe Society in 1939. She said that singing it made her fearful of retaliation, but because its imagery reminded her of her father, she continued to sing it. She made the piece a regular part of her live performances. Because of the poignancy of the song, Josephson drew up some rules: Holiday would close with it; second, the waiters would stop all service in advance; the room would be in darkness except for a spotlight on Holiday's face; and there would be no encore. Holiday approached her recording label, Columbia, about the song, but the company feared reaction by record retailers in the South, as well as negative reaction from affiliates of its co-owned radio network, CBS.[8] Even John Hammond, Holiday's producer, refused. She turned to friend Milt Gabler, whose Commodore label produced alternative jazz. Holiday sang "Strange Fruit" for him a cappella, and moved him to tears. Columbia allowed Holiday a one-session release from her contract in order to record it. Frankie Newton's eight-piece Cafe Society Band was used for the session. Because he was worried that the song was too short, Gabler asked pianist Sonny White to improvise an introduction. Consequently Holiday doesn't start singing until after 70 seconds. Gabler worked out a special arrangement with Vocalion Records to record and distribute the song.[9] She recorded two major sessions at Commodore, one in 1939 and one in 1944. The song was highly regarded and the 1939 record sold a million copies. In time, it became Holiday's biggest-selling record. In her autobiography, Lady Sings the Blues, Holiday suggested that she, together with Meeropol, her accompanist Sonny White, and arranger Danny Mendelsohn, set the poem to music. The writers David Margolick and Hilton Als dismissed that claim in their work, Strange Fruit: The Biography of a Song. They wrote that hers was "an account that may set a record for most misinformation per column inch". When challenged, Holiday—whose autobiography had been ghostwritten by William Dufty—claimed, "I ain't never read that book." Influence Barney Josephson recognized the power of the song and insisted that Holiday close all her shows with it. When she was ready to begin it, waiters stopped serving, the lights in the club were turned off, and a single pin spotlight illuminated Holiday on stage. During the musical introduction, Holiday would stand with her eyes closed, as if she were evoking a prayer. Numerous other singers have performed the work. In October 1939, Samuel Grafton of The New York Post described "Strange Fruit": "If the anger of the exploited ever mounts high enough in the South, it now has its 'Marseillaise'."
