Great Lake Swimmers

When Great Lake Swimmers’ Tony Dekker wrote the song “Everything is Moving So Fast,” he couldn’t have predicted that it would foreshadow the rapid success of the Toronto band’s fourth album, LOST CHANNELS. For a project that has seen a slow upward trajectory since its humble beginnings in 2001, the Great Lake Swimmers are suddenly getting exponentially more attention across North America and Europe, entrancing newcomers to the band with Dekker’s unforgettable voice and compelling songwriting.
That LOST CHANNELS was a success in Canada is no surprise: Great Lake Swimmers have long been a word-of-mouth favourite for whom critical mass was inevitable, and they are regarded as a national treasure by the country’s public broadcaster, the CBC; LOST CHANNELS recently topped the chart on CBC Radio 3 (which is also broadcast in the U.S. on Sirius Satellite Radio). It also sat at 1 on iTunes’ Singer/Songwriter chart.
But it’s not just the home team cheering on the Swimmers. LOST CHANNELS attained the 2 Most-Added position at the influential radio trade magazine Friday Morning Quarterback. It debuted at 10 on Billboard’s Heatseekers Chart in its first week, re-entering the Top 10 in May, and was 1 on the Amazon MP3 downloads chart. Meanwhile, an older non-album track, “See You On the Moon,” can be heard on prime time television in a Honda ad. And individual bloggers have been massive champions: Great Lake Swimmers reached “Most Blogged Artist” status on premier MP3 site Hype Machine.
No doubt much of this has been fuelled in part by public endorsements by the likes of Feist, Robert Plant, NBC Nightly News anchor Brian Williams and cyclist Lance Armstrong. The latter two have both raved about the band on their personal websites; the former have handpicked the Great Lake Swimmers to open shows and whole tours. They’ve also shared bills with Bela Fleck & The Sparrow Quartet, Hayden, Goldfrapp, and Bill Callahan of Smog.
This sudden exposure is new for a band that has always dwelled in shadows, telling tales of hidden histories, singing of «mining for light in the dark wells,» of being «tuned to an instrument of greater and unknown design.»
The instrument in question is the singular voice of Tony Dekker, a voice that summons ghosts from times past. It’s a voice that is capable of conveying heartache and comfort all in the space of a single phrase. Though his supporting cast has changed over the years—with the exception of longtime right-hand man Erik Arnesen — Dekker has always encircled him self with sympathetic players who value spacious arrangements that frame his vocals. Over time, the band has evolved from a sparse, delicate and hushed unit into a well-rounded folk rock band, sacrificing none of their original intimacy while upping both the volume and tempos when necessary.
Dekker chooses to record in old churches, community halls, abandoned grain silos and rural locations. It’s easy to hear why. His voice doesn’t need any studio embellishment, standing at its strongest when bathed in natural reverb and enriched by the historical context surrounding it.
To record LOST CHANNELS, Dekker and company went upstream on the St. Lawrence River to the Thousand Islands, halfway between Toronto and Montreal, a historic and picturesque area that straddles the Canadian/American border, and has been designated a World Biosphere Region. Great Lake Swimmers arrived at the invitation of fan and Thousand Islands photographer/regional historian Ian Coristine.
Coristine was able to arrange for the band to record in a number of acoustically unique spaces within the region, including one of the area’s most storied landmarks, Singer Castle on Dark Island, near Hammond, NY (www.singercastle.com); as well as the historical Brockville Arts Centre (www.brockvilleartscentre.com); and at St. Brendan’s Church in Rockport, ON.
River imagery recurs throughout LOST CHANNELS; the title of the album is a reference to a certain passage of the St. Lawrence, close to the recording locale, where a reconnaissance boat from a British warship went mysteriously missing in 1760. There’s no specific reference to the incident in the lyrics, though there are plenty of night skies, howling winds and raging rivers in almost every song which captures an elusive sense of mystery. As the album closes, Dekker sings the final lyrics—“Like the unstoppable river… Your beauty is gentle/ but forceful, and fast”—before the band ends on a suspended note. There is no resolution there, only eternity, a continuum, an endless river.
LOST CHANNELS also features the talents of Julie Fader (flute/backing vocals), Greg Millson (drums), Darcy Yates (bass), with appearances by Erin Aurich on violin; Mike Olsen on cello; and Paul Aucoin on vibraphone; along with special guests / Swimmers collaborators Serena Ryder with vocals on “Everything Is Moving So Fast” and Bob Egan on pedal steel.